花丝工艺中“小6”形制的应用与工艺特征——以明清文物为例

Application and Craft Characteristics of the "Xiao 6" Form in Filigree: A Case Study of Artifacts from the Ming and Qing Dynasties

  • 摘要: “小6”形制是花丝工艺中最具代表性的经典造型样式之一,其从出现到被普遍应用的过程,既是花丝技法逐步完善的体现,也是其生产方式趋于成熟化和系统化的重要标志。“小6”形制中卷曲弧度的一致性和焊接的高精度是其最突出的工艺特征。本文采用文献研究与图像印证相结合的方法,以明清出土花丝器物为研究对象,分析了“小6”形制的规格样式、装饰类型及其所反映的明代手工业发展状况。结果发现,“小6”形制在花丝工艺制作过程中兼具二维与三维多棱折面的空间结构特征;“小6”形制在明代的大批量应用,也从侧面揭示了明代手工艺向流程化、模块化方向转变的特点。

     

    Abstract: The "Xiao 6" form is one of the most classic patterns in filigree craftsmanship. Its emergence and widespread adoption not only reflect the gradual refinement of filigree techniques but also mark a significant milestone in the maturation and systematization of filigree production methods. The consistent curling and high-precision soldering of "Xiao 6" form are its most representative technical features. This study employs literature research and image analysis to examine the specifications, decorative types, and implications of the "Xiao 6" form in Ming and Qing filigree artifacts, as well as its reflection of the development of the Ming dynasty handicraft industry. The findings indicate that the three-dimensional "Xiao 6" form exhibits both a two-dimensional planar character in its fabrication process and a three-dimensional structure composed of multiple folded facets. The large-scale use of the "Xiao 6" form further reveals a shift toward streamlined workflow and modular production in Ming Dynasty craftsmanship.

     

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