山西大同北魏墓葬出土琥珀饰品的来源分析

The Provenance of Amber Ornaments Unearthed from Northern Wei Dynasty Tombs in Datong, Shanxi Province

  • 摘要: 古代琥珀被认为是中外物质交换和文化交流的重要实物见证。本研究选取山西大同北魏墓葬出土的典型琥珀为研究对象,利用超景深三维显微系统、红外光谱、拉曼光谱及扫描电子显微镜等手段开展检测,结合考古学、历史学的相关视角深入探讨其原料来源、加工工艺、纹饰特征及文化内涵。研究结果显示,本次分析山西大同北魏时期出土琥珀原料源自波罗的海,个别属于外来原料本土加工制品,其他不排除成品直接输入的可能。琥珀器物可分为素面和纹饰两类,后者以弦纹、莲花纹、忍冬纹及瑞兽纹为主。其形制与纹饰风格不仅反映了佛教文化的传播,也体现了北魏时期多元文化交融的历史特征。本研究系首次对大同地区北魏时期墓葬出土的琥珀进行科学分析,为古代琥珀的传播及丝绸之路所见的中西文化及贸易交流提供实物例证和科学依据。

     

    Abstract: Ancient amber serves as a crucial material witness to cross-cultural exchange between China and foreign countries. This study focuses on typical amber artifacts unearthed from Northern Wei Dynasty tombs in Datong, Shanxi Province. The specimens were analyzed using extended ultra-depth-of-field three-dimensional microscopic system, infrared spectrometer, Raman spectrometer, and scanning electron microscope. Complementary perspectives from archaeology and historiography were employed to explore the raw material sources, manufacturing techniques, decorative motifs, and cultural significance of these artifacts. The results indicate that the amber raw materials originated from the Baltic Sea. Some artifacts were locally processed using imported raw materials, while others were likely imported as finished products. The amber artifacts can be divided into plain and decorated types. Decorative motifs include string patterns, lotus patterns, honeysuckle patterns, and auspicious beast motifs. Both the shapes and decorative styles reflect the spread of Buddhist culture and embody the multicultural integration characteristic of the Northern Wei Dynasty.This study provides the first scientific analysis of amber unearthed from Northern Wei tombs in the Datong region, offering material evidence and a scientific basis for understanding ancient amber circulation and Sino-Western cultural and trade exchanges along the Silk Road.

     

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