浙江安吉龙山107号古墓(八亩墩)出土绿松石首饰复原建模初探

Preliminary Study on the Restoration Modeling of Turquoise Jewelry Unearthed from the No. D107 Tomb (Bamudun Tomb) in Longshan, Anji, Zhejiang Province

  • 摘要: 浙江安吉龙山107号古墓(八亩墩)位于浙江省湖州市安吉县递铺街道古城村,属于龙山越国贵族墓葬.该墓葬出土绿松石首饰是吴越时期重要的考古发现,但发掘时大量绿松石呈现散落状态,失去首饰原貌。而同期出土的吴越绿松石首饰可参考的相关资料较少,复原难度较大。基于考古单位所提供的高清测绘模型及文物数据进行推导,利用三维数字化建模技术,从首饰设计及制作原理的角度,对其进行复原建模初探,尽可能精确地展现八亩墩首饰在散落前的形态、制作工艺与装饰细节,为吴越历史文化研究提供直观且可靠的实物参考样本,为三维数字化建模在考古研究中的应用探索可行路径。经复原建模推断,八亩墩出土首饰有绿松石发簪、帽饰、耳饰、链饰、臂饰、腕饰、棺外饰及萤石珠襦。该成果为三维数字化建模在考古复原工作中提供新的思路,为进一步研究八亩墩墓主的身份、地位,乃至吴越地区首饰复原提供参考。

     

    Abstract: The ancient tomb No. D107 (Bamudun Tomb) is located in Gucheng village, Dipu street, Anji county, Huzhou, Zhejiang Province. It belongs to the tomb of aristocrats of Yue State in Longshan. The turquoise cultural relics is an important archaeological discovery during the Wu and Yue Period, but at the time of excavation, the turquoise jewelry had been scattered into turquoise bead groups and lost its original appearance. However, turquoise jewelry from the Wu and Yue Period has less relevant information to refer to and is more difficult to restore. Based on the high-definition surveying and mapping models and cultural relics data provided by archaeological units, along with three-dimensional digital modeling technology, this study conducts a preliminary exploration of the restoration modeling from the perspective of jewelry design and manufacturing principles. It shows the shape, manufacturing process and decorative details of Bamudun jewelry before it was scattered as accurate as possible. This work provides intuitive and reliable physical reference sample for Wu and Yue history and culture, and also explores feasible paths for the application of 3D digital modeling in archaeological research. After research, it is inferred that the restored Bamudun jewelry includes turquoise hairpins, head ornaments, earrings, chain ornaments, arm ornaments, wrist ornaments, exterior coffin ornaments, and fluorite clothing accessories, and is digitally displayed. It provides new insights into the application of 3D digital modeling in archaeological restoration work, and provides reference for further research into the identity and status of the owner of Bamudun Tomb, as well as the jewelry restoration from Wu and Yue area.

     

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