LI Pengfei. Transition of Aesthetic Experience of Chinese Traditional Jade Culture Discussing from the Ancient Custom of Eating Jade[J]. Journal of Gems & Gemmology, 2014, 16(5): 75-80.
Citation: LI Pengfei. Transition of Aesthetic Experience of Chinese Traditional Jade Culture Discussing from the Ancient Custom of Eating Jade[J]. Journal of Gems & Gemmology, 2014, 16(5): 75-80.

Transition of Aesthetic Experience of Chinese Traditional Jade Culture Discussing from the Ancient Custom of Eating Jade

More Information
  • Received Date: June 22, 2014
  • Jade was a popular food in the Six Dynasties era.People think that the custom of eating jade destroyed a lot of jade,so the behaviour has been strongly criticized.But the custom of eating jade also has positive values.Firstly,this custom had a spirit of vulgar realism and destroyed the Confucian aesthetic of Bi-De that based on moralism and formalism.Secondly,it constructed the secular spirit values of jade aesthetic.Thirdly,it also created the conditions for the revival of the pre-Qin period’s life spirit,when people use jade analogy to describe beauty of personality.The beauty of jade is similar to the beauty of nature and personality which was highly appreciated in the Six Dynasties era.In classic aesthetic books like Shishuoxinyuand Wenxindiaolong,it can be found that aesthetic experience on jade and other arts achieve the same height.Therefore,the Six Dynasties era can not be considered as a decline period of jade art but an important period of aesthetic transition paradigm.
  • [1]
    关王明.抱朴子内篇校释[M].北京:中华书局,1985.
    [2]
    杨伯达.巫—玉—神泛论[J].中原文物.2005(4):63-69.
    [3]
    王国维.王国维论学集[M].北京:中国社会科学出版社,1997.
    [4]
    孙庆伟.周代用玉制度研究[M].上海:上海古籍出版社,2008.
    [5]
    辞海编撰委员会.辞海(1999年版缩印本)[M].上海:上海辞书出版社,2001.
    [6]
    臧振,潘守永.中国古代玉文化[M].北京:中国书店,2001.
    [7]
    孔祥星,刘一曼.中国古代铜镜[M].北京:文物出版社,1984.
    [8]
    杨明辉,王久源,张蜀武,等.中药阳起石温肾壮阳的作用机理分析[J].中国药业,2010,19(10):84-86.
    [9]
    宗白华.美学散步[M].上海:上海人民出版社,2005.
    [10]
    汪荣宝.法言义疏[M].北京:中华书局,1987.
  • Related Articles

    [1]KUANG Yanfeng, ZHOU Qishen, LIU Hao, WANG Tiantian, ZHAO Mancun, XIE Yufei. Research on the Effect of Jewelry Live Broadcast Marketing Based on SICAS Model[J]. Journal of Gems & Gemmology, 2024, 26(1): 88-98. DOI: 10.15964/j.cnki.027jgg.2024.01.010
    [2]HAO Zhifen. Development of Jewelry and Jade Market in Taiyuan, China in the Post-Epidemic Era[J]. Journal of Gems & Gemmology, 2023, 25(5): 153-159. DOI: 10.15964/j.cnki.027jgg.2023.05.017
    [3]LU Mingmei, ZHOU Zhengyu. Discussion on the "Six Virtues" of Tianhuang and Its Quality Evaluation and Control Factors[J]. Journal of Gems & Gemmology, 2022, 24(2): 37-42. DOI: 10.15964/j.cnki.027jgg.2022.02.005
    [4]WU Mo. The Craft Progress and Artistic Innovation of Chinese Jade Article in the Han Dynasty: Taking the Han Dynasty Jade Unearthed in Anhui Province as An Example[J]. Journal of Gems & Gemmology, 2021, 23(3): 53-62. DOI: 10.15964/j.cnki.027jgg.2021.03.007
    [5]ZHAO Longpei, LI Geng, CHAI Meng, LIU Yan. Gemmological Characteristic of Hot Pink Spinel from Man Sin, Myanmar[J]. Journal of Gems & Gemmology, 2019, 21(S1): 30-34. DOI: 10.15964/j.cnki.027jgg.2019.S1.010
    [6]LUO Zemin, ZHU Qingwen, HUANG Fengchun, CHEN Chun, MIN Mengyu. Philosophical Sense of “Tail-Biting Dragon” Jade from Western Zhou Dynasty[J]. Journal of Gems & Gemmology, 2018, 20(1): 50-56. DOI: 10.15964/j.cnki.027jgg.2018.01.006
    [7]JU Li-jun. Aesthetic Differences Between Incense Burner and Incense-holder Jade Carving from Creative Perspective[J]. Journal of Gems & Gemmology, 2013, 15(4): 86-91. DOI: 10.15964/j.cnki.027jgg.2013.04.013
    [10]WANG Chun-yun. Study on Ancient Theories about Colours of Jade and Early History of Application of Jadeite Jade[J]. Journal of Gems & Gemmology, 2003, 5(2): 15-21.

Catalog

    Article Metrics

    Article views PDF downloads Cited by()
    Related

    /

    DownLoad:  Full-Size Img  PowerPoint
    Return
    Return