The Aesthetic Expression of Chinese Image in Jewelry Art Design——Taking Dunhuang Fly Apsaras as An Example

REN Haiming

doi:10.15964/j.cnki.027jgg.2023.01.009

Volume 25 Issue 1

Jan. 2023

Turn off MathJax

Article Contents

Article Navigation > Journal of Gems & Gemmology > 2023 > 25(1): 66-71

REN Haiming. The Aesthetic Expression of Chinese Image in Jewelry Art Design——Taking Dunhuang Fly Apsaras as An Example[J]. Journal of Gems & Gemmology , 2023, 25(1): 66-71. doi: 10.15964/j.cnki.027jgg.2023.01.009

Citation:

REN Haiming. The Aesthetic Expression of Chinese Image in Jewelry Art Design——Taking Dunhuang Fly Apsaras as An Example[J]. Journal of Gems & Gemmology , 2023, 25(1): 66-71. doi: 10.15964/j.cnki.027jgg.2023.01.009

Citation:

PDF( 5790 KB)

The Aesthetic Expression of Chinese Image in Jewelry Art Design——Taking Dunhuang Fly Apsaras as An Example

doi: 10.15964/j.cnki.027jgg.2023.01.009

REN Haiming

Clothing Department, Xi'an Academy of Fine Arts, Xi'an 710000, China

Received Date: 2022-06-24
Publish Date: 2023-01-31

Abstract

Abstract

Chinese image aesthetics boasts a long history, in which Chinese painting, calligraphy and poetry are especially time-honored. It strives to convey the implication beyond the finite description, which differentiates Chinese aesthetics from the western aesthetics. Thus, this characteristic of Chinese image aesthetics is the point that needs to pay attention to that would realize the art design that inherit and promote Chinese culture in the true sense. Therefore, taking Chinese image aesthetics as the theoretical basis, starting from the unique form, overall form, material and colour of jewelry art, this paper summarizes and puts forward universal design ideas based on the analysis of typical work cases: abstract in form shaping, white space in formal expression, material selection and elegant unity of oriental meaning, so as to arouse the viewer's aesthetic association with jewelry works, obtain aesthetic pleasure, and to explore a unique new path for the development of contemporary Chinese jewelry art. For practice, The author designed the jewelry Fly Apsaras Dancing with Dunhuang Fly Apsaras as the inspiration element, which shows the ethereal and flexible image beauty of the Fly Apsaras from the aspects of jewelry shape shaping, form expression, material selection and colour matching.
- Chinese imagery aesthetics,
- jewelry art,
- design ideas

FullText(HTML)

References(12)

References

[1]	孔颖达. 十三经注疏: 周易正义[M]. 上海: 中华书局, 1980: 82. Kong Y D. Shisanjing annotation: Zhouyi justice[M]. Shanghai: Zhonghua Book Company, 1980: 82. (in Chinese)
[2]	范文澜. 文心雕龙注[M]. 北京: 人民文学出版社, 1958: 493. Fan W L. The literary mind and the carving of dragons[M]. Beijing: The People's Literature Publishing House, 1958: 493. (in Chinese)
[3]	郄莉. 首饰中的空间构建及意象传达——借由形象物实现空间延展[D]. 北京: 中央美术学院, 2016: 9, 10. Qie L. Space construction and image communication in jewelry——Space extension is realized by image objects[D]. Beijing: Central Academy of Fine Arts, 2016: 9, 10. (in Chinese)
[4]	李岩. 浅谈首饰设计的意象性[J]. 中国黄金珠宝, 2010(1): 88-91. https://www.cnki.com.cn/Article/CJFDTOTAL-ZHJJ201001019.htm Li Y. A brief discussion on the imagery of jewelry design[J]. Journal of Jewelry & Gold, 2010(1): 88-91. (in Chinese) https://www.cnki.com.cn/Article/CJFDTOTAL-ZHJJ201001019.htm
[5]	邹其昌. "意象美学"的现代形态——论叶朗的美学本体论[J]. 郑州大学学报(哲学社会科学版), 2002(5): 104-107, 112. https://www.cnki.com.cn/Article/CJFDTOTAL-ZZDX200205027.htm Zou Q C. The modern form of the "imaginative aesthetic"——On Ye Lang's aesthetic ontology[J]. Journal of Zhengzhou University (Philosophy and Social Sciences Edition), 2002(5): 104-107, 112. (in Chinese) https://www.cnki.com.cn/Article/CJFDTOTAL-ZZDX200205027.htm
[6]	宝创协. 吴峰华: 突围与自立——中国意象美学珠宝理论与实践[EB/OL]. [2022-04-07]. https://www.163.com/dy/article/H4AUPE270552P8VR.html. SGSJCA. Wu Fenghua: Breaking through and independence——Theory and practice of Chinese image aesthetics jewelry[EB/OL]. [2022-04-07]. https://www.163.com/dy/article/H4AUPE270552P8VR.html. (in Chinese)
[7]	金伯利钻石. 湖光潋滟[EB/OL]. [2022-04-07]. https://www.kimberlite.com.cn/index.php/jewelry/info.html?id=659. Kimberlite Diamond. The Billowing Lake[EB/OL]. [2022-04-07]. https://www.kimberlite.com.cn/index.php/jewelry/info.html?id=659. (in Chinese)
[8]	搜狐网. 中华文化复兴的标志性事件\|TTF生肖珠宝设计大展引起法国艺术界高度关注[EB/OL]. [2017-02-17]. https://www.sohu.com/a/126538771_556645. Sohu. Important landmark in the Chinese cultural renaissance\|TTF Chinese zodiac jewelry design exhibition has attracted high attention from the French art world[EB/OL]. [2017-02-17]. https://www.sohu.com/a/126538771_556645. (in Chinese)
[9]	行先生. Frank Wu Design历届生肖首饰设计大赛获奖作品揭晓[EB/OL]. [2019-05-25]. http://www.xingxiancn.com/article/2148. Xingxiansheng. The winning works in previous Frank Wu Design Chinese Zodiac Jewelry Design Competition are announced[EB/OL]. [2019-05-25]. http://www.xingxiancn.com/article/2148. (in Chinese)
[10]	李欣复. 论审美效应[J]. 上海师范大学学报(哲学社会科学版), 1986(2): 28-32. https://www.cnki.com.cn/Article/CJFDTOTAL-SSFS198602006.htm Li X F. The theory of aesthetic effect[J]. Journal of Shanghai Normal University (Philosophy and Social Sciences), 1986(2): 28-32. (in Chinese) https://www.cnki.com.cn/Article/CJFDTOTAL-SSFS198602006.htm
[11]	罗少伟. 敦煌莫高窟飞天壁画形、意、音韵之美探微[J]. 大观(论坛), 2019(1): 20-21. https://www.cnki.com.cn/Article/CJFDTOTAL-DGLT201901010.htm Luo S W. A study on the beauty of shape, meaning and rhyme of apsaras mural in Dunhuang Mogao Grottoes[J]. Grand View (Forum), 2019(1): 20-21. (in Chinese) https://www.cnki.com.cn/Article/CJFDTOTAL-DGLT201901010.htm
[12]	百度百科. 反弹琵琶(敦煌壁画艺术作品)[EB/OL]. [2022-01-17]. https://baike.baidu.com/item/%E5%8F%8D%E5%BC%B9%E7%90%B5%E7%90%B6/13681502. Baidu Baike. Playing-pipa-behind posture(Dunhuang Mural art work)[EB/OL]. [2022-01-17]. https://baike.baidu.com/item/%E5%8F%8D%E5%BC%B9%E7%90%B5%E7%90%B6/13681502. (in Chinese)