重塑当代花鸟玉雕的美学观

Reshaping Aesthetic Concept of Contemporary Flower and Bird Jade Carving

  • 摘要: 花鸟玉雕在近千年的发展过程中不断地被世俗化,一味的向大众审美靠拢,成为社会功利诉求的代言者,丧失了在艺术美学和精神高度上的深层追求。重塑花鸟玉雕的美学观,既是当代社会多元化审美发展的必然要求,也是当代花鸟玉雕发展的新思路。中国深厚的传统文化为花鸟玉雕在艺术美学和思想精神上,提供了众多可借鉴的对象。体系发展完善成熟的院体花鸟画与花鸟玉雕有着共同的表现对象;而传统文人作为传统社会中的精英群体,他们的审美意趣更能折射出整个民族的精神追求。笔者回溯传统,探究花鸟玉雕自身的问题成因,并对古代院体花鸟画和传统文人画意趣进行解读分析,从中获取可供参照的元素,塑造一种“形神兼备,艺术与思想融合;雅俗共赏,情趣与寓意融合”的当代花鸟玉雕新美学观。

     

    Abstract: Flower and bird jade carving has been secularized in the development of the past thousand years.It is blindly reaching out to the public aesthetic and becomes a messenger of social utilitarianism and appeal,but it loses the higher pursuit in art aesthetics and spirit.Reshaping the aesthetic of flower and bird jade carving is not only the inevitable demand for diversified aesthetic contemporary society development,but also the new ideas for the development of contemporary flower and bird jade carving.Fortunately,China’s profound traditional culture can provide a lot of references,in art aesthetics and spirit.For example,the developed royal flower and bird painting has got a mature system of aesthetics,and it has the same subject with the flower and bird jade carving.Literati are the elite of the traditional society,and their aesthetic interest can reflect the spirit and pursuit of the whole nation thought.The author recalls the tradition,explores the issue of flower and bird jade carving,and analyzes the ancient royal flower and bird painting.From the analyses of traditional literati paintings,some elements are available for reference to reshape a new aesthetic of contemporary flower and bird jade carving,which is the intergration of form and spirit,art and thought,fun and moral integration appealing to all people both of lower class and higher calss.

     

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