朱心雨, 施健. 盛放于世的宝相花——唐代宝相花纹样研究及在首饰设计中的应用[J]. 宝石和宝石学杂志, 2012, 14(3): 58-64.
引用本文: 朱心雨, 施健. 盛放于世的宝相花——唐代宝相花纹样研究及在首饰设计中的应用[J]. 宝石和宝石学杂志, 2012, 14(3): 58-64.
ZHU Xin-yu, SHI Jian. Splendid Blooming Baoxiang Flowers—a Study on Patterns of Baoxiang Flowers in Tang Dynasty and Its Application in Modern Accessory Design[J]. Journal of Gems & Gemmology, 2012, 14(3): 58-64.
Citation: ZHU Xin-yu, SHI Jian. Splendid Blooming Baoxiang Flowers—a Study on Patterns of Baoxiang Flowers in Tang Dynasty and Its Application in Modern Accessory Design[J]. Journal of Gems & Gemmology, 2012, 14(3): 58-64.

盛放于世的宝相花——唐代宝相花纹样研究及在首饰设计中的应用

Splendid Blooming Baoxiang Flowers—a Study on Patterns of Baoxiang Flowers in Tang Dynasty and Its Application in Modern Accessory Design

  • 摘要: 中国古典纹样是我国巨大的艺术传承和文化财富,而宝相花是其中的典型。宝相花是以“米”字结构为基准的圆形辐射结构的花形纹样,其构成花瓣的基本单位是以侧卷瓣、对勾瓣、云曲瓣为代表的抽象花瓣。在分析宝相花纹样的构架、物象符号构成及其背后所蕴藏的文化审美意义后,通过抽象、概括、取舍、重构的手法,作者得到适合于现代审美的形式,并设计出“宝相千面花”系列首饰。该系列首饰将现代珠宝镶嵌工艺与传统珐琅工艺相结合,外形高贵典雅,色彩绚丽,充满了现代化的中国风情。

     

    Abstract: Chinese classical decorating patterns are artistic heritage and cultural wealth of China and among them Baoxiang flowers are one typical type,so the author adopted this pattern as one Chinese element in modern design.After studying its structure,image,its aesthetic value and its connection to Chinese culture,the author created the modern image and form by extraction,generalization,refinement and innovation,and worked out a series of Baoxiang flowers jewelry.With the help of modern gem mosaic craft and traditional enamel craft,this series of accessories are elegant in shape and brilliant in colour,and featured with Chinese elements.

     

/

返回文章
返回