吕志会. 古代山水画之于玉雕山子借鉴意义探幽[J]. 宝石和宝石学杂志, 2014, 16(5): 67-74.
引用本文: 吕志会. 古代山水画之于玉雕山子借鉴意义探幽[J]. 宝石和宝石学杂志, 2014, 16(5): 67-74.
LYU Zhihui. Reference Significance of the Ancient Landscape Painting Application to the Rockery Jade Carving[J]. Journal of Gems & Gemmology, 2014, 16(5): 67-74.
Citation: LYU Zhihui. Reference Significance of the Ancient Landscape Painting Application to the Rockery Jade Carving[J]. Journal of Gems & Gemmology, 2014, 16(5): 67-74.

古代山水画之于玉雕山子借鉴意义探幽

Reference Significance of the Ancient Landscape Painting Application to the Rockery Jade Carving

  • 摘要: 抽象的文字概念和直观的视觉呈现,都佐证着玉雕山子与中国山水画之间存在某种必然的关系,这种关系并不复杂,但很微妙。玉雕山子与中国山水画的区别不仅只是图像载体不同所带来的差异,二者所涵盖的内容范围有着根本的区别。本文试图从中国山水画的角度出发,探讨二者在表现范围上的本质区别,阐明中国山水画对玉雕山子在表现内容、透视方法、空间布局、技法风格、审美追求、理论构建、艺术品评等多个方面的发展所起到的借鉴意义。对于当代玉雕山子和当代中国山水画二者之间出现疏离现象的原因,本文也进行了简单的分析。

     

    Abstract: The abstract concept and intuitive visual rendering are proving that there must be inevitable relationship between Chinese landscape painting and the rockery jade carving“Shanzi”.It is not complicated,but it’s very subtle.This paper attempts from the perspective of Chinese landscape painting,to point out the differences between Chinese landscape painting and the rockery jade carving“Shanzi”in content.The author analyzes content,perspective,composition,reflection,techniques and style of Chinese landscape painting,which impact on jade carving.On the contemporary,the relationship between Chinese landscape painting and rockery jade carving has changed.At meanwhile,the cause of the change is analyzed in the article.

     

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