黄罕勇. 海派玉雕与海派绘画的关系初探[J]. 宝石和宝石学杂志, 2014, 16(2): 78-82.
引用本文: 黄罕勇. 海派玉雕与海派绘画的关系初探[J]. 宝石和宝石学杂志, 2014, 16(2): 78-82.
HUANG Hanyong. Primary Analysis on the Relationship between“Shanghai-style”Jade Carving and Painting[J]. Journal of Gems & Gemmology, 2014, 16(2): 78-82.
Citation: HUANG Hanyong. Primary Analysis on the Relationship between“Shanghai-style”Jade Carving and Painting[J]. Journal of Gems & Gemmology, 2014, 16(2): 78-82.

海派玉雕与海派绘画的关系初探

Primary Analysis on the Relationship between“Shanghai-style”Jade Carving and Painting

  • 摘要: 海派是一个大的文化概念,它涵盖了绘画、玉雕、文学、戏曲等多个层面的内容。从横向的海派文化发展史来看,绘画是其中最先独成体系,并产生广泛影响的一个门类。后来不断壮大的海派文化门类莫不受之影响,得其滋润。尤其在玉雕艺术方面,由于两者之间颇深的渊源,海派玉雕的形成和发展受到了到海派绘画多方面的启发与滋养,在新题材的拓展、创作理念、审美追求、人文关怀、艺术风格等方面都受其深刻影响;海派玉雕又有自身特色,它的形成既是对海派文化在艺术门类中的补充,又是对海派绘画的发展有所影响。

     

    Abstract: The "Shanghai-style" culture in China is a broad cultural concept,including painting,jade carving,literature,drama,etc.From the horizontal view of the "Shanghai-style" cultural development,painting is the earilest one and its independent system is established which widely affects the later growing category of "Shanghai-style" culture.Due to the deep roots between painting and sculpture,"Shanghai-style" jade carving is particularly affected in the course of development.Many aspects are deeply influenced by the "Shanghai-style" painting,such as expanding of new themes,creation concept,aesthetic pursuit and humanistic,artistic style.However,"Shanghai-style" jade carving still has its own feature.The formation of "Shanghai-style" jade carving is a complement to the "Shanghai-style" culture in the arts.At the same time,in turn,it affects the development of "Shanghai-style" painting.

     

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