田姝裕, 李举子. 基于斯基泰卧鹿纹样的首饰设计应用[J]. 宝石和宝石学杂志(中英文), 2024, 26(3): 85-96. DOI: 10.15964/j.cnki.027jgg.2024.03.010
引用本文: 田姝裕, 李举子. 基于斯基泰卧鹿纹样的首饰设计应用[J]. 宝石和宝石学杂志(中英文), 2024, 26(3): 85-96. DOI: 10.15964/j.cnki.027jgg.2024.03.010
TIAN Shuyu, LI Juzi. Application of Scythian Crouching Deer Pattern in Jewelry Design[J]. Journal of Gems & Gemmology, 2024, 26(3): 85-96. DOI: 10.15964/j.cnki.027jgg.2024.03.010
Citation: TIAN Shuyu, LI Juzi. Application of Scythian Crouching Deer Pattern in Jewelry Design[J]. Journal of Gems & Gemmology, 2024, 26(3): 85-96. DOI: 10.15964/j.cnki.027jgg.2024.03.010

基于斯基泰卧鹿纹样的首饰设计应用

Application of Scythian Crouching Deer Pattern in Jewelry Design

  • 摘要: 斯基泰是欧亚草原铁器时期的游牧民族代表,其卧鹿纹不仅能够反映草原的历史文化与宗教信仰,独树一帜的程式化表现手法也使其成为了草原动物图腾的艺术形象代表。笔者通过对相关文献的考证,分别从艺术与宗教的角度角度论述了卧鹿纹的重要意义,并以当代形式美的法则为参考,总结了斯基泰卧鹿纹的美学特征主要在构图上的比例与尺度美、视觉上的对称与均衡美、细节上的节奏与韵律美。通过现代设计案例分析,梳理出保留元素特征、借鉴传统工艺、填充辅助元素的设计方法。最后在设计实践部分,运用图案的解构与重构方式将其与本土祥云纹相融合,设计出包含两种文化元素的新首饰,同时也为后来的设计工作者打开文化融合设计的新思路。

     

    Abstract: Scythian is the representative of the nomadic people in the Iron Age of the Eurasian steppe, its crouching deer pattern not only integrates the history, culture and religious beliefs of the steppe, the unique stylized expression also makes it one of the representative artistic images of the steppe animal totems. Through the research of relevant literature, the author discusses the important significance of the crouching deer pattern from the perspectives of art and religion, respectively.Taking the rules of contemporary formal beauty as a reference, the aesthetic features of the Scythian crouching deer pattern are summarized, which are mainly the beauty of proportion and scale in composition, the beauty of visual symmetry and balance, and the beauty of rhythm in details.Through the analysis of modern design cases, the design methods of retaining element characteristics, borrowing traditional craftsmanship and filling in auxiliary elements are sorted out. Finally, in the design practice, the pattern is integrated with Chinese traditional cloud pattern by deconstruction and reconstruction to design a new jewelry that contains the two cultural elements, which opens up a new way of thinking of cultural integration design for future designers.

     

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