New Creation Style of Jade Pendant Set from the Perspective of Chinese Traditional Culture
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摘要:
在中国玉雕发展历史上，仿古玉是一个重要的玉器创作形式，并且各朝代在对前代玉器传承中都有所创新。本次研究依托传统文化中立人，树德，教化的观念，开创性的将古法玉雕工艺与翡翠，玛瑙等材料相结合，通过多年的创作实践经验与心得体会，梳理出当代仿古玉雕创作中的形式与内涵相统一、写实与写意相结合、留白等创作方法。经过多年实践，创作出以鲁班锁为代表的仿古玉佩题材作品，进一步诠释和弘扬新时代的中华文化精粹。
Abstract:In the history of the development of Chinese jade carving, the antique jade is an important form of jade carving creation, and each dynasty has made some innovations in the inheritance of jade from previous generations. This study relies on the concepts of neutral, moral and enlightenment in traditional culture, and creatively combines the ancient jade carving technology with jadeite, agate and other materials, and through years of practical experience and insights, sorts out the unity of form and connotations, the combination of realistic and pictorial, the method of leaving blank and other creative methods in the contemporary antique jade carving creation. After years of practice, the creation of antique jade works represented by Luban Lock further interprets and carries forward the essence of Chinese culture in the new era.
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Keywords:
- jade carving /
- imitated ancient jade /
- innovation /
- cultural perspective
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图 1 清代仿古作品《斧形佩》(图源故宫博物院官网)
Figure 1. Axe-shaped Jade by the master of Qing Dynasty, from the official website of the Palace Museum
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图 2 《斧形佩》正反面(图源故宫博物院官网)
Figure 2. The front and back of the Axe-shaped Jade, from the official website of the Palace Museum
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图 3 王胜利的玉雕作品
(a)《厚德载物》; (b)《延年益寿》; (c)《格物》
Figure 3. The jade carving works by Wang Shengli
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