基于性别理论的首饰设计研究——以“性别含混化”为例

Jewelry Design Based on Gender Research Theory: A Case Study of "Gender Ambiguity"

  • 摘要: 二十世纪六十年代,女性主义思潮的出现促使男女性别平等、含混的观念在文学、戏剧、美术等领域涌现,进而引发艺术领域的创作思维模式变得更加丰富。基于此背景,“性别含混化”逐渐成为人们重视的概念及社会现象,为艺术创作带来了一个全新且独特的研究视角。与此同时,这也为性别研究提供了理论契机,其理论随着女性主义的流派发展而丰富,但是涉及的实践研究略为单薄。文章基于性别研究(Gender Study),将“性别含混化”观念与理论与当代首饰创作实践相结合,意在给首饰设计带来新的研究视角、表现形式与媒介,拓宽首饰的创作思维,使首饰语言更加多元化。

     

    Abstract: In the 1960s, the emergence of feminism prompted the emergence of gender equality and ambiguous concepts in literature, drama, art and other fields, which led to the enrichment of creative thinking patterns in the art field. Based on this background, "gender ambiguity" has gradually become a concept and social phenomenon that people attach importance to, and has brought a new and unique research perspective to artistic creation. At the same time, it also provides a theoretical opportunity for gender studies. Its theory has been enriched with the development of feminist schools, but the practical research involved is slightly thin. Based on the gender studies, this paper combines the concept and theory of "gender ambiguity" with contemporary jewelry creation practice, aiming to bring new research perspectives, forms of expression and media to jewelry design, broaden jewelry creation thinking, and make jewelry language more diversified.

     

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