由汉代琥珀胜形珠分析“胜”的艺术造型与文化意涵

The Artistic Form and Cultural Meaning of "Sheng" through Sheng-Shaped Amber Beads of the Han Dynasty

  • 摘要: 本文梳理了汉代琥珀胜形珠饰的主要类型,厘清其造型流变,分析了“胜”艺术造型的原型,并对琥珀胜形珠在不同阶段的文化组成因素及象征意涵进行了考证。根据汉代琥珀胜形珠的形制,将之分为标准型、窄体型两类。标准型与窄体型胜形珠存在先后关系,后者由前者演变而来。据考证,“胜”的艺术母题原型为汉代的织机上的组合构件,属“纴器”类。胜形珠的文化构成因素呈现阶段性变化,西汉中期至西汉晚期受到早期佛教璎珞式首饰文化影响,同时含带儒家“妇功”文化因素;东汉以来,谶纬之学占主导,重点突出辟邪文化因素。琥珀胜形珠是中外文化碰撞融合的产物,其以中原传统造型题材,承载本土思想文化意涵,彰显海上丝绸之路带来的珠饰风尚。

     

    Abstract: In this paper, the main types of Sheng-shaped beads amber in Han Dynasty were sorted out, the changes of their shapes were clarified, the source of the artistic motifs of "Sheng" was analyzed, and the cultural components and symbolic meanings of amber victorious beads in different stages were studied. According to the shape of amber beads in Han Dynasty, the author divided them into two types: the standard type and the thin body type. There is a sequential relationship between standard type and thin type, and the latter is evolved from the former.According to research, the proto type of the artistic motif of "Sheng" is a combination of components on the loom of the Han Dynasty, belonging to the class of "Ren" device. The cultural components of Sheng-shaped beads show periodic changes. In the middle to late Western Han Dynasty, it was influenced by the early buddhist jewelry culture and the Confucian "Woman Gong" culture. In the Eastern Han Dynasty, the theory of divination was dominant, which emphasized the cultural factors of warding off evil spirits. Sheng-shaped amber beads were the product of the collision and fusion of Chinese and foreign cultures.They carry native thoughts as well as culture with the traditional modeling theme of the Central Plains, and highlights the beading fashion brought by the Maritime Silk Road.

     

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