任海明. 中国意象美学在首饰艺术中的设计思路探究——以“敦煌飞天”为例[J]. 宝石和宝石学杂志(中英文), 2023, 25(1): 66-71. DOI: 10.15964/j.cnki.027jgg.2023.01.009
引用本文: 任海明. 中国意象美学在首饰艺术中的设计思路探究——以“敦煌飞天”为例[J]. 宝石和宝石学杂志(中英文), 2023, 25(1): 66-71. DOI: 10.15964/j.cnki.027jgg.2023.01.009
REN Haiming. The Aesthetic Expression of Chinese Image in Jewelry Art Design——Taking Dunhuang Fly Apsaras as An Example[J]. Journal of Gems & Gemmology, 2023, 25(1): 66-71. DOI: 10.15964/j.cnki.027jgg.2023.01.009
Citation: REN Haiming. The Aesthetic Expression of Chinese Image in Jewelry Art Design——Taking Dunhuang Fly Apsaras as An Example[J]. Journal of Gems & Gemmology, 2023, 25(1): 66-71. DOI: 10.15964/j.cnki.027jgg.2023.01.009

中国意象美学在首饰艺术中的设计思路探究——以“敦煌飞天”为例

The Aesthetic Expression of Chinese Image in Jewelry Art Design——Taking Dunhuang Fly Apsaras as An Example

  • 摘要: 中国意象美学发展历史悠久,在中国绘画、书法和诗歌中体现尤为突出,力求通过有限的笔墨传达“韵外之旨”的效果。这也成为区别于西方美学,实现真正意义上传承和弘扬中国文化的艺术设计所需要关注和重视的点。因此,笔者以中国意象美学为理论基础,从首饰艺术特有的形态、形式、材质和色彩等几个方面出发,通过分析典型作品案例,总结并提出具有普遍性的设计思路——形态塑造上抽象、形式表现上留白、东方意蕴的材质选择和色彩搭配雅致统一,从而唤起观者对首饰作品产生审美联想,获得审美愉悦,力求为当代中国首饰艺术的发展探索出一条别具一格的新道路。笔者以敦煌飞天为灵感元素对本次研究进行了实践,设计了首饰作品《飞天盈舞》,从首饰形态塑造、形式表现、材质选择和色彩搭配等方面的综合设计表现出飞天缥缈灵动的意象美感。

     

    Abstract: Chinese image aesthetics boasts a long history, in which Chinese painting, calligraphy and poetry are especially time-honored. It strives to convey the implication beyond the finite description, which differentiates Chinese aesthetics from the western aesthetics. Thus, this characteristic of Chinese image aesthetics is the point that needs to pay attention to that would realize the art design that inherit and promote Chinese culture in the true sense. Therefore, taking Chinese image aesthetics as the theoretical basis, starting from the unique form, overall form, material and colour of jewelry art, this paper summarizes and puts forward universal design ideas based on the analysis of typical work cases: abstract in form shaping, white space in formal expression, material selection and elegant unity of oriental meaning, so as to arouse the viewer's aesthetic association with jewelry works, obtain aesthetic pleasure, and to explore a unique new path for the development of contemporary Chinese jewelry art. For practice, The author designed the jewelry Fly Apsaras Dancing with Dunhuang Fly Apsaras as the inspiration element, which shows the ethereal and flexible image beauty of the Fly Apsaras from the aspects of jewelry shape shaping, form expression, material selection and colour matching.

     

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