李星枰, 李妍, 汤凡渺, 杨明星, 王蕙琳. 藏饰嘎乌中的情感信仰与审美追求[J]. 宝石和宝石学杂志(中英文), 2022, 24(4): 55-67. DOI: 10.15964/j.cnki.027jgg.2022.04.008
引用本文: 李星枰, 李妍, 汤凡渺, 杨明星, 王蕙琳. 藏饰嘎乌中的情感信仰与审美追求[J]. 宝石和宝石学杂志(中英文), 2022, 24(4): 55-67. DOI: 10.15964/j.cnki.027jgg.2022.04.008
LI Xingping, LI Yan, TANG Fanmiao, YANG Mingxing, WANG Huilin. The Emotional Belief and Aesthetic Pursuit in Tibetan Ornament Ga'u[J]. Journal of Gems & Gemmology, 2022, 24(4): 55-67. DOI: 10.15964/j.cnki.027jgg.2022.04.008
Citation: LI Xingping, LI Yan, TANG Fanmiao, YANG Mingxing, WANG Huilin. The Emotional Belief and Aesthetic Pursuit in Tibetan Ornament Ga'u[J]. Journal of Gems & Gemmology, 2022, 24(4): 55-67. DOI: 10.15964/j.cnki.027jgg.2022.04.008

藏饰嘎乌中的情感信仰与审美追求

The Emotional Belief and Aesthetic Pursuit in Tibetan Ornament Ga'u

  • 摘要: 珠宝首饰作为一种文化载体,带有民族、时代和地区的文化特征。嘎乌是藏区一种具有代表性的颈饰, 结合藏区的历史文化,本文通过梳理嘎乌的起源与发展,探讨其功能的演变以及造型、纹饰、材质、色彩等的美学特征,分析其潜在的情感思想, 综合讨论了嘎乌的装饰艺术和蕴含的情感思想,对当代民族文化研究和饰品设计具有重要的参考意义。

     

    Abstract: As a cultural carrier, jewelry bears the cultural characteristics of nationality, time and region. Ga'u is one of the representative neck ornaments in Tibetan area. Combining with the history and culture of Tibetan area, this paper deduces the origin and development of Ga'u, and discusses the evolution of its function and the aesthetic features including its modeling, decoration, material, colour etc., and analyzes its potential emotional thought.This paper comprehensively discusses the decorative art and the potential emotion thought of Ga'u, which have important reference significance for contemporary national culture research and jewelry design.

     

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