赵琳琪, 李举子. 魏晋南北朝忍冬纹在首饰设计中的应用[J]. 宝石和宝石学杂志(中英文), 2021, 23(4): 39-46. DOI: 10.15964/j.cnki.027jgg.2021.04.006
引用本文: 赵琳琪, 李举子. 魏晋南北朝忍冬纹在首饰设计中的应用[J]. 宝石和宝石学杂志(中英文), 2021, 23(4): 39-46. DOI: 10.15964/j.cnki.027jgg.2021.04.006
ZHAO Linqi, LI Juzi. Application of the Honeysuckle Pattern in the Wei, Jin, Southern and Northern Dynasties in Jewelry Design[J]. Journal of Gems & Gemmology, 2021, 23(4): 39-46. DOI: 10.15964/j.cnki.027jgg.2021.04.006
Citation: ZHAO Linqi, LI Juzi. Application of the Honeysuckle Pattern in the Wei, Jin, Southern and Northern Dynasties in Jewelry Design[J]. Journal of Gems & Gemmology, 2021, 23(4): 39-46. DOI: 10.15964/j.cnki.027jgg.2021.04.006

魏晋南北朝忍冬纹在首饰设计中的应用

Application of the Honeysuckle Pattern in the Wei, Jin, Southern and Northern Dynasties in Jewelry Design

  • 摘要: 忍冬纹是自魏晋南北朝传入中国,结合汉代云气纹形成的独具特色的中国传统纹样,其内在文化寓意和设计理念是现代设计理论中不可或缺的部分,通过对该时期忍冬纹样的研究,能深刻地了解魏晋南北朝的历史和文化。文章从相关文献资料入手,整理归纳魏晋南北朝忍冬纹类型并剖析其内在含义,研究忍冬纹与现代首饰设计的关系,探讨可行的制作工艺和材料。通过设计实践,将魏晋南北朝忍冬纹的结构造型、文化内涵和现代首饰设计相结合,用首饰设计来传承我国的传统纹样并提出一些思考,希望将传统纹样融入首饰设计之中,使其既具有现代美感又不失民族特色。

     

    Abstract: The honeysuckle pattern is a traditional Chinese pattern. It was introduced into China in the Wei, Jin, and the Southern and Northern Dynasties and combined with the cloud pattern of the Han Dynasty to form the unique traditional pattern. Its inherent cultural meaning and design concept are indispensable parts of modern design theory, and the study of honeysuckle pattern in that period provides a deep understanding of the history and culture of the Wei, Jin, Southern and Northern Dynasties. The article starts with the relevant literature, sorts out the types of the honeysuckle patterns in the Wei, Jin, and the Southern and Northern Dynasties and analyzes their inner implications. This article also studies the relationship between the honeysuckle pattern and modern jewelry design and discusses the feasible manufacturing techniques and materials. Finally, the design practice is carried out by combining the structure and cultural connotation of the honeysuckle pattern of the Wei, Jin, Southern and Northern Dynasties with modern jewelry design. The article uses jewelry design to inherit Chinese traditional patterns and puts forward some thoughts, hoping to better integrate Chinese traditional patterns into jewelry design, and show a jewelry of modern aesthetic without losing China's national characteristics.

     

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