西周玉器人龙组合图案构成分析

Combination Pattern of Man and Dragon on Jade of the Western Zhou Dynasty

  • 摘要: 西周时期的人龙组合图案玉器出土于周原、丰镐、晋国、曾国、虢国、芮国、应国等高等级墓葬, 其造型奇美, 华丽流畅, 工艺精湛, 具有极高的艺术价值。本文通过对西周人龙组合图案玉器进行分类, 按图案母题元素将其分为人龙组合、人龙凤组合, 并进一步细分组合方式、绘制典型玉器图案的构成分解图, 归纳出此类玉器母体图案组合方式有连接融合、嫁接融合、叠加融合, 从玉器组合图案构成形式发现人作为主要母题元素核心地位凸显。在西周礼乐文明制度逐步发展与完善的背景下, 对于人龙组合图案玉器这一典型代表器型进行研究, 由形而下之器的艺术特征分析上升至形而上之道的精神领域, 挖掘洞察古人琢玉造物的思想观、美学观。

     

    Abstract: In the Western Zhou Dynasty, jade wares with the combination pattern of man and dragon appeared in the high-level tombs of Zhouyuan, Fenghao, Jin, Zeng, Guo, Rui and Ying Country. Their shapes are beautiful, gorgeous and fluent, and their craftsmanship is exquisite, which has high artistic value. According to the motif elements of the patterns, the patterns can be divided into the combination of man and dragon and the combination of dragon and Phoenix. In order to further subdivide the combination mode, the authors draw the composition of the typical jade pattern decomposition diagram, and it can be concluded that the main bodies of this kind of jade matrix pattern are connection fusion, grafting fusion and superposition fusion. From the jade combination pattern composition form, it can be found that human is prominent in the pattern composition. Under the background of the gradual development and improvement of the ritual and music civilization system in the Western Zhou Dynasty, this paper aims to study the jade wares which have the combination patterns of man and dragon, based on the analysis of the artistic characteristics of the objects' form and the spiritual field of the metaphysical way, and to explore the ancient people's ideas and aesthetics of jade carving.

     

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