郝琦, 杨超. 木纹金属工艺在日本江户时期的发展研究[J]. 宝石和宝石学杂志(中英文), 2020, 22(3): 59-67. DOI: 10.15964/j.cnki.027jgg.2020.03.007
引用本文: 郝琦, 杨超. 木纹金属工艺在日本江户时期的发展研究[J]. 宝石和宝石学杂志(中英文), 2020, 22(3): 59-67. DOI: 10.15964/j.cnki.027jgg.2020.03.007
Qi HAO, Chao YANG. Development of Mokumn Gane Technique in Edo Period of Japan[J]. Journal of Gems & Gemmology, 2020, 22(3): 59-67. DOI: 10.15964/j.cnki.027jgg.2020.03.007
Citation: Qi HAO, Chao YANG. Development of Mokumn Gane Technique in Edo Period of Japan[J]. Journal of Gems & Gemmology, 2020, 22(3): 59-67. DOI: 10.15964/j.cnki.027jgg.2020.03.007

木纹金属工艺在日本江户时期的发展研究

Development of Mokumn Gane Technique in Edo Period of Japan

  • 摘要: 木纹金属工艺自出现至今已有近四百年的历史。它的形成经过了日本和西方国家(美国、英国、澳大利亚)的共同作用, 在技法、制作材料、产品覆盖的范围和服务对象等方面都产生了巨大的变化和演进。在木纹金属工艺发展的历程中, 许多国家都出现了标志性的领军人物, 使该项技术在不同的时空出现了变化。这些变化虽然缓慢, 但是仍然在深度和广度上维系着这个异常复杂工艺的发展和演进。通过对国内外文献的收集, 对木纹金属工艺在日本江户时代的历史发展脉络中的代表学派和关键技术的发展变化进行梳理, 力求按照时间发展的线索, 复原再现木纹金属工艺从日本江户时代工艺萌芽到第一个高潮阶段的发展样貌, 从而使广大的工艺爱好者能够从中得到一些启发, 促进该工艺在国内的推广, 为丰富中国当代首饰设计语言提供支撑材料。

     

    Abstract: Mokume Gane technique has a history of nearly 400 years. Its formation has gone through the joint action of Japan and western countries (the United States, the United Kingdom, Australia), and has experienced tremendous changes and evolution in terms of technology, materials, product coverage and service objects. During the development of Mokume Gane technique, many countries have emerged landmark leaders which diversified the technique in different regions and time periods. Although these changes are slow, they still maintain the development and evolution of this extremely complex technique in depth and breadth. Through the review of the literature at home and abroad, this paper combs the development and changes of the representative schools and key techniques of Mokume Gane technique in the historical development of Edo period in Japan. We strive to restore and reproduce the appearance of the development of Mokume Gane technique in Japan from the rudiment of Edo period to the first climax stage in chronological order, so that the majority of craft lovers can get some inspirations from it, which may promote the popularization of the technique in China, and provide support materials for enriching the language of Chinese contemporary jewelry design.

     

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