金雪凌, 张荣红. 中国美学的钻戒设计——以克拉圆钻为例[J]. 宝石和宝石学杂志, 2018, 20(6): 31-35. DOI: 10.15964/j.cnki.027jgg.2018.06.004
引用本文: 金雪凌, 张荣红. 中国美学的钻戒设计——以克拉圆钻为例[J]. 宝石和宝石学杂志, 2018, 20(6): 31-35. DOI: 10.15964/j.cnki.027jgg.2018.06.004
JIN Xueling, ZHANG Ronghong. Design of Diamond Ring in Chinese Aesthetic: Taking Carat Round Diamond Ring as An Example[J]. Journal of Gems & Gemmology, 2018, 20(6): 31-35. DOI: 10.15964/j.cnki.027jgg.2018.06.004
Citation: JIN Xueling, ZHANG Ronghong. Design of Diamond Ring in Chinese Aesthetic: Taking Carat Round Diamond Ring as An Example[J]. Journal of Gems & Gemmology, 2018, 20(6): 31-35. DOI: 10.15964/j.cnki.027jgg.2018.06.004

中国美学的钻戒设计——以克拉圆钻为例

Design of Diamond Ring in Chinese Aesthetic: Taking Carat Round Diamond Ring as An Example

  • 摘要: 如何在现代首饰作品中呈现中国美学是诸多设计者关注的问题。笔者以克拉圆刻面钻戒设计为研究对象,通过文献解读和梳理追溯中国美学思想本源——中国传统哲学思想,分析作为其代表的儒家、道家思想内涵,寻找中国美学的本质,为中国美学的现代珠宝首饰设计提供新思路。笔者从儒家"中和之美"及道家"自然之美"的美学观展开,提炼得出中国"体验式"审美特质,并与现代钻戒设计相联系,结合钻戒设计实例分析得出:"体验式"审美可作为桥梁传递中国美学思想。具体可通过弱化线棱、使用符合生活体验的流畅造型、加入更多工艺以及通过元素营造符合婚爱体验感受的氛围,在钻戒设计中表达中国美学思想及婚爱主题。同时,笔者认为中国消费者特殊的消费心理和情感需求也可作为设计切入点。

     

    Abstract: Nowadays, it is always concerned how to present the Chinese aesthetic in the modern jewelry design. In the papers, the authors chose 1 ct round diamond as research object, and traced back to the origin of Chinese aesthetic: traditional Chinese philosophical, by analyzing ideas of Confucianism and Taoism, seeking the essence of Chinese aesthetics, in order to provide new design ideas for modern jewelry designers. Based on the aesthetic view of Confucian "The Beauty of Neutralization" and Taoist "The Beauty of Nature", the authors abstracted the Chinese "experiential" aesthetic thought, and connected it with the modern diamond ring design. Through analyzing the diamond ring design examples, it was concluded that the "experiential" aesthetic thought can be communication channel to the Chinese aesthetic thought. The design of diamond rings can express Chinese aesthetic ideas and themes of love and marriage through weakening the edges of the lines, using the fluent shapes extracted from life experience, adding more craftsmanship and creating an atmosphere of love and marriage experience by elements. The authors believe that the special consumer psychology and emotional needs of Chinese consumers can also be recognized as a starting point.

     

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